The foundation of the artist's recent works is based on the relationship between the first nature, which is biological and primitive, and the second nature that humans create by carving out a space for themselves within it. This can be briefly defined as the semantic gap between the concepts of 'earth' and 'world.' 'Earth' represents an untouched, pure space, the archaic soil, while 'world' signifies the place where humans politicize this soil, draw borders, and manage areas. As time passes, the content of the world and the earth is diverging from each other. When the artist places minds in a state where consciousness diminishes and the response mechanism weakens in the face of external stimuli that fit between these two concepts, a spontaneous map of the current time is drawn. The artist examines elements of nature such as wind, sky, and water, which inherently carry movement and vitality, in a state of stagnation and inertia. Therefore, in order to explore an era where humanity is more central and actively involved than ever, the art practice focuses on the everyday, familiar routine life of nature and its juxtaposition with human existence.

At times positioned as opposites and at other times as permeable, these nature conflicts have become the subject of the artist's paintings, drawings, and arrangements consisting of 3D sculptures. The works belonging to the exhibited 'State of Sleep' series also express this contrast.